Narrating the dynamic plastic of the battle between tanks, Sidorov's film holds the viewer's attention by employing the narrative aesthetics of silent cinema and visualizing his scenes dispensing with the reading of Russian subtitles. Our Findings indicate that the consolidation of an accelerated industrial mindset produced a new ethics where Tank Crews were soldiers and mechanically inspired and, like an elite, along with industrial technique, employed tricks as a tactic weapon, according to Michel de Certeau. We use the works of Steve Zaloga dissects the use of tank as a combat machine, and John Erickson and Brandon Schechter's reading explains the victory of the Red Army and the USSR, mobilizing industrial, human, and cultural means employing, according to Lewin, the memory of Russian victory over Napoleon in 1812. The Dominant Explain Comes from the Curzio Malaparte reports that, at the beginning of Operation Barbarossa of 1941, advocated Nazi defeat. 34, by Alexey Sidorov, as a metaphorical duel between two individuals, a Nazi German and the other one Soviet, employing their tanks, their backgrounds, their industrial cultures, and ideologies. The aim of this essay is to exploratory analyze the Russian film Russian War T.
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